Women in Horror

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There is a recipe that we follow when it comes to creating a horror story. You have the Hero, you have the sacrifice, you have the bad guy, the person who obviously is going to die first and finally the women.

Originally, we were always the damsels in distress with a high probability of dying. We'd be one of the first to go. This really bugs me. We always seem to need help in films. Or we're really stupid calling out "Is anyone there?" When we all know that there is a bad guy in the kitchen waiting to slice them up.

It's taken many years but we seem to be making headway. Let's start with American Horror Story. I've never watched it I have seen snippets here and there but it's just a bit too much for me. However, it has a killer kick ass cast of strong
women.


The horror genre isn’t exactly the first place you’d look to find multi-layered roles for ladies, but AHS is turning that notion on its head. After all, you don’t get the star power of Jessica Lange if all you’re doing is victimizing women. Let’s take a look inside AHS’ “murder house” and pinpoint some of the female characters who make up its foundation.
The Scorned Woman– Vivien Harmon (Connie Britton) has been through it all, miscarriages, a cheating husband and a home invasion. Yet, at the heart of it all she is a survivor and is determined to move on with her life. Yes, there are plenty of tears and even some gross-out moments with Mrs. Harmon, but she is more than just a weeping housewife. She defends what’s hers, has fantasies outside her marriage and stands up for what’s right.
 
The Cougar-Jessica Lange plays next-door neighbor Constance who is equal-parts charming and abusive. She prefers the company of younger men and has a nasty habit of putting down others to make herself feel better. She is a cougar, but she also plays the archetypal “boss” character. Her story deals with the loss of children, disabilities and loneliness 
The Innocent– Constance’s playful daughter Addie (Jamie Brewer) who has Down Syndrome. She is obsessed with the murder house and constantly sneaks in. Her innocence makes her one of the shows lighter, more endearing characters. She just wants to be a “pretty girl” but her struggles are heard loud and clear when her mother & society reminds her that she is not. 
The Fatalist-Violet Harmon (Taissa Farmiga) is a goth-girl outsider in the making. She suffers from depression and cuts herself regularly. Her boyfriend Tate is a misunderstood young man from the wrong side of the tracks with violent delusions (and sometimes actions). She feels lost amongst her parents constant drama and can’t relate to others at school. She deals with bullying, suicide attempts and drug overdoses. 
The Mistress-Kate Mara plays Hayden, the college student who had an affair with Mr. Harmon. She wants to be loved, but her love is not returned the way she would like. On the surface, her character seems like a plot device, but she really digs deep with issues of abortion, rejection and abuse. She plays an active role in making Vivien’s life miserable. The two share a handful of interesting verbal spats.
The Domestic-Francis Conroy plays Moira the cleaning lady who comes with the house. She cooks, she cleans, she gives advice when asked. Her cloudy eye and unflinching servitude to the Harmons make her seem like just another creepy old lady. However, we discover she is a rape survivor and is becoming a loyal confidant to Mrs. Harmon. She is definitely not afraid to get her hands, mouth or whatever dirty in the line of duty. The Femme Fatale- Moira (Alexandra Breckenridge) appears in two forms. For the women, she is the before-mentioned matronly housekeeper with a cloudy eye. For the men, she is a young, sexed up pinup girl in a French maid’s outfit complete with garters. She uses her sexuality to gain favor and information from the men who cross the murder house threshold. This incarnation of Moira is less defendable, but is still not a throw-away character. 
The Nurturer– Nora (Lily Rabe) is the loyal wife of Charles Montgomery, the doctor who first owned the murder house in the 1920s. She aided him in illegal abortions in the house’s basement. She starts as a strong demanding wife and mistress of the house, but when her own baby is kidnapped we see an interesting change in Nora. When she meets her “Frankenbaby” it is a enough to push her over the edge to do the unthinkable, but first she nurses it. Nora brings us some creepy moments, but like the other female characters there is an underlying tragedy motivating her. Despite her chequered past, she appears to have some redeeming characteristics, especially when it concerns the Harmons and their unborn child. 
(Shull and TerilynnS 2011)

Now as you can see. These aren't the stereotypes that we're used to. I think it's really good female characters are progressing the way the are. Enough seems that there are no longer any cookie shapes characters for women to fill with in horror films.

Even though the age demographic for horror films is slightly older, it's nice to see that we're giving young women powerful role models to look up to.


(Anon. N.D)


With The Walking Dead being as popular as it is it's great to see the women characters evolve with in the series. I think the greatest example of this is Carol.

At the beginning of the TV series Carol is in an abusive relationship with her husband. When she realises that by being in this abusive relationship she is endangering the life of her child something awakens within her that makes her become a really strong character throughout the series. He sometimes makes decisions other people have a hard time dealing with, such as mercy killing people who are ill which would have meant endangering the lives the rest of the group.

When you watch the series you see her evolve from a frail, scared woman to one of the most reliable and strong women in the entire series. It's interesting to see that during the apocalyptic setting of The Walking Dead that women are finally seen as equals to men. This in itself is a step forward for feminism however it is equally depressing to see that this is only seems achievable in a post apocalyptic setting.

Here's hoping that we can make these strong female archetypes something that doesn't just occur in a post apocalyptic setting.


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